The Canon TS-E 17mm f/4 L Lens was used for capturing the ultrawide angle of view while a Canon EF 24-105mm f/4 L IS USM Lens captured tighter framing.Ī slight amount of lens tilt was used for this shot - to keep the close foreground and distant background all in focus. With 30 second exposures, it was not hard to be capturing this amazing St Mary Lake, Glacier National Park scene simultaneously with two camera setups - doubling my take-home. Significant background blur is one of the results.
#Canon ts e 17mm full
The full lens tilt settings of the TS-E 17mm lens were used for this shot. This pair of pink hibicus flowers demonstrate the close-up capabilities of the Canon TS-E 17mm f/4 L Lens. The neck and relatively tiny head of a dinosaur reach up into the ornate ceiling of the Natural History Museum's main entrance in New York City. While this girl is not tall, using the maximum lens shift setting gives her the appearance of being so. One exposure was used for the bright sky and another longer exposure was used to pull detail out of the foreground shadows - and to add motion blur to the water. After sunrise, turn to the side and even directly away from the sun. Shooting sunrises is often best done before the sun actually rises. The low cut in the mountains at this location allows sight of the early AM sky lighting up. This location along Swiftcurrent Creek is just downstream (east) of the bridge to the Lodge at Swiftcurrent Lake. The viewer's eye will be drawn to the in-focus subject. Using the maximum tilt setting for this tilt-shift lens leaves the subject sharp and the surroundings strongly blurred - very strongly blurred for a 17mm f/4 image.
#Canon ts e 17mm windows
One foot of my tripod was precariously positioned on the very edge of the cliff - and has been cloned out of the final picture.Ī skyscraper reflects in the windows of another. Two vertically-oriented, oppositely-shifted shots were combined in Photoshop to create this ultra-wide view of Horseshoe Bend. In this example, the Canon TS-E 17mm lens allowed me to capture a much-wider-than-17mm view - in high resolution. Horseshoe Bend begs for a 17mm or wider focal length (full frame equivalent) lens - unless shooting a panorama. This shot was taken in late morning - when the sun lights the Colorado River in the canyon below. Horseshoe Bend, Grand Canyon was one of the top photography locations on my Grand Tour list. This girl is being very still by request. The 1/13 second exposure is too long for most people shots. Though there are a lot of clues as to what specifically this kid is working on, I couldn't tell you what it is. Did you know that getting a dog to sit still for a 1/8 second exposure is not easy? Rows of clouds let rays of light through, causing small areas of brightness in the Atlantic Ocean off the coast of Acadia National Park.Ī Golden Retriever sits among the green ferns and an orange mushroom. This is one approach to eliminating the clutter (signs, power lines, traffic lights. A lens hood and pouch are also included.Įnvironmentally friendly lead-free glass is used throughout the construction of the TS-E 24mm f/3.5L II.Standing on the street, looking straight up into the Manhattan sky. Weather and dust seals provide added protection. Chromatic aberration - common in wide-angle shooting - is combated by four UD (ultra low-dispersion) elements.ĭesigned for use in digital photography, Canon’s patented lens element coating helps minimise the ghosting and flare caused by internal reflection and helps to deliver crisp, clear images.Ĭanon L-series lenses are built to withstand regular use in the most testing environments. Locks on the tilt and shift mechanisms are also included, ensuring that unwanted movements are avoided.Ī high-precision, large-diameter moulded glass aspherical lens element gives outstanding edge-to-edge resolution and low distortion. With a 104° diagonal field of view, and ☖.5° of tilt, ☑2mm shift and ☙0° of rotation, the TS-E 17mm f/4L is one of the most flexible lenses of its type. Tilt and shift movements can be rotated independently of each other, allowing perspective and depth of field to be controlled separately, enhancing the flexibility of the lens
The TS-E 17mm f/4L is an ultra-wide angle tilt-and-shift lens, providing wide-angle views for cameras with APS-C and full frame sensors. Features:Įxpanding the possibilities for tilt and shift photography: Designed for architectural photography, the TS-E 17mm f/4L exhibits low distortion and excellent edge-to-edge sharpness, as well as independent rotation of the tilt and shift mechanisms.
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